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S/N PROJECT TOPIC GET THE COMPLETE PROJECT
4101. LA SCOLARISATION DE LA FEMME AFRICAIN COMME SOURCE DE CONFLIT DE GENERATIONS A TRAVERS TROIS PRETENDANTS…UN MARI DE GUILLAUME OYONO-MBIA
4102. LA MODULATION VUE A TRAVERS LA VERSION ANGLAISE DE LE REGARD DU ROI DE CAMARA LAYE
4103. LA FRANCOPHONIE : SON INFLUENCE SUR LES ANCIENNES COLONIES FRANÇAISES
4104. LA CONSOMMATION DU CHANVRE INDIEN AU NIGERIA ET EN FRANCE
4105. L’INFLUENCE DE LA CIVILISATION EUROPEENNE SUR L’IDENTITE CULTURELLE AFRICAINE : LE CAS DE BATIMENT A IBADAN AU NIGERIA ET A COTONOU AU BENIN
4106. L’ÉTUDE COMPARÉE DU FRANÇAIS STANDARD ET DU FRANÇAIS SÉNÉGALAIS
4107. L’ENRICHISSEMENT DE LA BASE LEXICALE EN FRANÇAIS ET EN YORÙBÁ, QUELQUES LEÇONS
4108. L’ANNULATION DES ELECTIONS LE CAS DU NIGERIA ET DE LA CÔTE D’IVOIRE
4109. ÉTUDE COMPARÉE DU MÉTISSAGE DE LA LANGUE FRANҪAISE LE CAS DE LA CỒTE D’IVOIRE ET DU NIGERIA
4110. étude comparée de la vie politique en france et au nigeria.
4111. THE_EFFECTS_OF_SLUM_ON_RENTAL_PROPERTY_VALUES
4112. A_COMPARATIVE_ANALYSIS_OF_RENTAL_VARIATION_IN_RESIDENTIAL_AND_COMMERCIAL_PROPERTIES_IN_NIGERIA
4113. UTOPIANISM AND CHARATERISATION IN AMINATA SOWFALL’S THE BEGGER’S STRIKE AND SEMBENE OUSMANE’S XALA
4114. TRADITIONAL AESTHETICS TRANSFER AND THE AFRICAN NOVELISTS: A STUDY OF ACHEBE’S THINGS FALL APART AND LAYE’S THE AFRICAN CHILD
4115. THEMES AND IMAGERY IN SELECTED ROMANTIC POEMS.
4116. THEME OF VENGEANCE IN WILLIAM SHAKESPEARE’S HAMLET AND MERCHANT OF VENICE.
4117. THEMATIC EXPLORATION OF BUCHI EMECHETA THE JOYS OF MOTHERHOOD AND SECOND CLASS CITIZEN
4118. THE SOCIOLOGICAL INDICES OF AFRICAN DRAMA: A STUDY OF WOLE SOYINKA’S THE BEATIFICATION OF AREA BOY: A LAGOSIAN KALEIDOSCOPEAND OLU OBAFEMI’S SCAPEGOATS AND SACRED COWS
4119. THE ROMANTIC PHILOSOPHY IN THE POETRY OF WILLIAM WORDSWORTH AND SAMUEL TAYLOR COLERIDGE
4120. THE ROLE OF WOMEN IN THE SOCIO- ECONOMIC DEVELOPMENT OF NIGERIA AS IN THE JOYS OF MOTHERHOOD BY BUCHI EMECHETA
4121. THE POLITICAL RHYTHM IN THE POETRY OF JACK MAPANJE THE CHATTERING WAGTAIL OF MIKUYU PRISON AND OF CHAMELEONS AND GODS: THE SOUTH AFRICAN EXPERIENCE
4122. THE OSUN OSOGBO FESTIVAL: ITS FUNCTIONS AND AESTHETICS
4123. THE MYTHOLOGICAL ICONS IN AMOS TUTUOLA THE PALM-WINE DRINKARD
4124. THE INFLUENCE OF ENGLISH LANGUAGE ON OUR NIGERIAN INDIGENOUS LANGUAGES: EXAMPLES OF BORROWING FROM ENGLISH INTO YORUBA BY UNILORIN UNDERGRADUATES
4125. THE CONCEPT OF FEMINISM IN BUCHI EMECHETA’S SECOND CLASS CITIZEN AND OKOYE IFEOMA’S BEHIND THE CLOUDS
4126. THE SOCIETY AND THE GIRL CHILD IN THE BLUEST EYE BY TONI MORRISONAND KAINE AGARYS YELLOW YELLOW
4127. SYNTACTIC AND LEXICO-SEMANTIC ANALYSES OF SELECTED SMS TEXT MESSAGES AMONG THE UNIVERSITY OF ILORIN STUDENTS
4128. SYMBOLS OF DECADENCE IN AYI KWEI ARMAH’S THE BEAUTYFUL ONES ARE NOT YET BORN
4129. FADUMO KEMI DEBORAH 07/15CD088 SYMBOLS AND IMAGES AS POETIC TECHNIQUES IN SOUTH AFRICAN POETRY, THE EXAMPLE OF DEN
4130. STYLISTIC ANALYSIS OF CHIMAMANDA NGOZI ADICHIE’S HALF OF A YELLOW SUN
4131. SOCIO-POLITICAL AND ECONOMIC ALIENATION IN HELON HABILA’S WAITING FOR AN ANGEL
4132. SOCIO-POLITICAL MOTIFS IN NIYI OSUNDARE’S THE EYE OF THE EARTH AND VILLAGE VOICES
4133. SATIRE IN CONTEMPORARY NIGERIAN POETRY: A STUDY OF TAYO OLAFIOYE’S A CARNIVAL OF LOOTERS AND MUSA I. OKPANACHI’S THE EATERS OF THE LIVING.
4134. SATIRE AND SOCIAL MEDIATION IN WOLE SOYINKA’S: A CASE STUDY OF THE TRIALS OF BROTHER JERO AND A PLAY OF GIANTS
4135. RHETORIC OF POWER; POWER OF RHETORIC: DISCOURSE IMPLICATION OF MASS MEDIA JINGLES ON HIV/AIDS
4136. REVOLUTIONARY AESTHETICS IN NGUGI AND MUGO’S THE TRIAL OF DEDAN KIMATHI AND HUSSEIN’S KINJEKETILE
4137. RELIGION AND MORALITY IN JOHN UPDIKE’S ‘A&P’ AND SALMAN RUSHDIE’S ‘THE PROPHET’S HAIR’
4138. RACISM AND OPPRESSION IN BLACK AMERICAN LITERATURE: AN EXAMPLE OF RICHARD WRIGHT’S BLACK BOY
4139. RACISM / AESTHETICS IN ALEX LA GUMA’S A WALK IN THE NIGHT AND PETER ABRAHAMS’ MINE BOY
4140. PRAGMATIC FEATURES OF NIGERIAN ENGLISH: A CASE STUDY OF SELECTED POEMS OF
4141. RACISM AND AESTHETICS IN ALEX LA GUMA’S A WALK IN THE NIGHT AND PETER ABRAHAMS’ MINE BOY
4142. PRAGMATIC FEATURES OF NIGERIAN ENGLISH: A CASE STUDY OF SELECTED POEMS OF BAYO ADEBOWALE
4143. POST–COLONIALISM AND LITERARY AESTHETICS: A STUDY OF SOYINKA’S DEATH AND THE KING’S HORSEMAN AND A DANCE OF THE FORESTS
4144. NON-RECEPTION OF ENGLISH AS SECOND LANGUAGE IN ADULTS
4145. PATRIARCHY AND MATRIARCHY AS NEGATIVE THEMES IN SELECTED WORKS OF FLORA NWAPA’S EFURU AND ATA AMA AIDOO’S ANOWA
4146. Perspectives on Colonialism: A Study of Alex La Guma’s “A Walk in the Night” and R.K Narayan’s “A Horse and Two Goats”.
4147. PERSPECTIVES ON COLONIALISM A STUDY OF NGUGI WA THIONGO AND MICERE MUGO’S THE TRIAL OF DEDAN KIMATHI AND ATHOL FUGARD’S SIZWE BANSI IS DEAD
4148. POLITICAL CORRUPTION AND SYMBOLISM IN ADICHIE CHIMAMANDA NGOZI’S HALF OF A YELLOW SUN AND OKEY NDIBE’S ARROWS OF RAIN
4149. MYTHOLOGY AND AFRICANISM. A STUDY OF AMOS TUTUOLA’S THE PALM-WINE DRINKARD(1961) AND WOLE SOYINKA’S THE FOREST OF A THOUSAND DEMONS(1982)
4150. MULTILINGUALISM AND THE QUESTION OF NATIONAL LANGUAGE IN NIGERIA
4151. MOTHER TONGUE INTERFERENCE IN ENGLISH NEWS CAST: A CASE OF A KWARA TELEVISION NEWS
4152. MAGIC POETRY: A STUDY OF ARUGBA INVOCATION IN OSUN OSOGBO FESTIVAL
4153. LEXICO - SEMANTIC ANALYSIS OF VIEWPOINT COLUMN OF PUNCH NEWSPAPER
4154. FEMINISM USING BUCHI EMECHETA’S ‘THE JOYS OF MOTHERHOOD’ AND ZAYNAB ALIKALI’S ‘THE STILL BORN’
4155. FEMINIST AESTHETICS IN OLA ROTIMI’S OUR HUSBAND HAS GONE MAD AGAIN AND FEMI OSOFISAN’S MOROUNTODUN
4156. FEMINIST AESTHETIC IN ZAYNAB ALKALI’S THE STILLBORN AND THE VIRTUOUS WOMAN
4157. FEMINIST PERSPECTIVES IN AMA ATA AIDOO’S CHANGES AND IFEOMA OKOYE’S BEHIND THE CLOUDS
4158. FOLKLORE AND THE QUEST FOR RE-INVENTION A STUDY OF WOLE SOYINKA’S DEATH AND THE KING’S HORSEMAN AND HOPE EGHAGHA’S DEATH NOT A REDEEMER
4159. GENDER DISCOURSE IN THE NIGERIAN SOCIETY: A CASE STUDY OF THE FEMALE GENDER IN TESS ONWUEMES GO TELL IT TO WOMEN
4160. GENDER IDEOLOGY AND SOCIAL CRISES IN IFEOMA OKOYE’S BEHIND THE CLOUDS AND MEN WITHOUT EARS
4161. GENDER ISSUES IN AKACHI ADIMORA EZEIGBO’S TRAFFICKED AND ZAYNAB ALKALI’S THE VIRTUOUS WOMAN
4162. IMAGES OF SOCIAL VICES IN CONTEMPORARY NIGERIAN POETRY: A STUDY OF DENJA ABDULLAHI’S MAIROGO AND JIDE BALOGUN’S THE DESERT IN THE RIVER
4163. THE IMPACT OF YORUBA LANGUAGE ON THE SPOKEN ENGLISH OF STUDENTS (INDIGENES) OF ILORIN (TOWNSHIP)
4164. FACTS AND FICTION IN AKACHI ADIMORA - EZEIGBO’S CHLDREN OF THE EAGLE AND THE LAST OF THE STRONG ONES
4165. CULTURE AND DISCRIMINATION AGAINST WOMEN IN BUCHI EMECHETA’S THE JOYS OF MOTHERHOOD AND CHIMAMANDA ADICHIE’S PURPLE HIBISCUS.
4166. CRITICAL DISCOURSE ANALYSIS OF PRESIDENT BARRACK OBAMA’S INAUGURATION SPEECH (JANUARY 20, 2009)
4167. CRITICAL DISOURSE ANALYSIS OF OLA ROTIM’S OUR HUSBAND HAS GONE MAD AGAIN
4168. CORRUPTION” IN THE NOVELS OF ADAOBI NWAUBANI TRICIA’S I DO NOT COME TO YOU BY CHANCE AND LABO YARI’S THE CLIMATE OF CORRUPTION
4169. CORRUPTION AND VICTIMIZATION IN ISIDORE OKPEWHOTIDES AND ANTHONY ABAGHA’S CHILDREN OF OLOIBIRI
4170. CONFLICT BETWEEN TRADITIONAL AND WESTERN CULTURE: A CASE STUDY OF SOYINKA’S DEATH AND THE KING’S HORSEMAN AND THE LION AND THE JEWEL
4171. CODE MIXING AS A SOCIOLINGUISTIC MEDIUM IN SOME SELECTED SONGS IN THE NIGERIAN MUSIC INDUSTRY
4172. CHARACTERS AND JOURNEY IN AMOS TUTUOLA’S THE PALM WINE DRINKARD AND GABRIEL AJADI’S THE FOREST OF GOD ANNOTATED TRANSLATION OF D. O. FAGUNWA’S IGBO OLODUMARE.
4173. ART AND POLITICS IN WOLE SOYINKA’S THE BEATIFICATION OF AREA BOY AND OLA ROTIMI’S OUR HUSBAND HAS GONE MAD AGAIN
4174. AFRICANISM: THEME, AND TECHNIQUE IN AMOS TUTUOLA’S THE PALMWINE DRINKARD
4175. AFRICAN_VALUES_TRADITIONAL_AND_MODERN_IN_AMA_ATA_AIDOO’S_Changes_AND_ASARE_KONADU’S_A_WOMAN_IN_HER_PRIME
4176. AESTHETICS OF RESISTANCE IN TANURE OJAIDE’S THE ACTIVIST AND HELON HABILA’S WAITING FOR AN ANGEL
4177. AESTHETIC OF AFRICANISM IN CAMARA LAYE’S THE AFRICAN CHILD AND THE RADIANCE OF THE KING
4178. A SYSTEMIC ANALYSIS OF EDITORIALS IN SELECTED NIGERIAN NESWPAPERS
4179. A STYLISTIC ANALYSIS OF SOME SELECTED POEMS OF WOLE SOYINKA
4180. A STYLISTIC ANALYSIS OF SPORTS COLUMNS IN SOME SELECTED NIGERIAN NEWSPAPERS
4181. A STYLISTIC ANALYSIS OF SELECTED NIYI OSUNDARE’S SOCIO-POLITICAL POETRY
4182. A STYLISTIC ANALYSIS OF CHIMAMANDA NGOZI ADICHIE’S THE THING AROUND YOUR NECK
4183. A STYLISTIC ANALYSIS OF BANK ADVERTISEMENTS IN NIGERIAN NEWSPAPERS
4184. A STYLISTIC ANALYSIS OF AKACHI ADIMORA- EZEIGBO’S TRAFFICKED
4185. A STYLISTIC ANALYSIS OF A SELECTED CAMPAIGN SPEECH OF PRESIDENT GOODLUCK JONATHAN
4186. A SOCIOLINGUISTIC ANALYSIS OF PROVERBS IN ADIMORA- EZEIGBO’ S TRAFFICKED
4187. A SEMANTIC ANALYSIS OF PSALM 51
4188. A PRAGMATIC STUDY OF NEWSPAPER COMIC STRIPS: AN EXAMPLE OF “EFE AND JUDE”
4189. A PRAGMATIC STUDY OF SOME SELECTED POLITICAL POSTERS
4190. A PRAGMATIC ANALYSIS OF SLANG AND CATCHY PHRASES USED IN SOME SELECTED NIGERIAN HIP-HOP SONGS.
4191. A PRAGMATIC ANALYSIS OF SELECTED CARTOONS IN VANGUARD NEWSPAPER.
4192. A PRAMATIC ANALYSIS OF SELECTED CARTOONS FROM NIGERIAN DAILIES THE ‘GUARDIAN, THE PUNCH, AND THE NATION’
4193. A PRAGMATIC ANALYSIS OF PRESIDENT GOODLUCK JONATHAN’S INAUGURAL SPEECH, NIGERIA: OUR NATION IN MOURNING
4194. A PRAGMATIC ANALYSIS OF CHRISTAIN HANBILLS AND POSTERS
4195. A METAPHYSICAL ANALYSIS OF AMOS TUTUOLA’S THE PALMWINE DRINKARD AND D.O. FAGUNWA’S THE FOREST OF GOD
4196. A LEXICO-SYNTACTIC ANALYSIS OF ERRORS IN SELECTED YORUBA FILM SUBTITLED IN ENGLISH
4197. A LEXICO-SEMATIC ANALYSIS OF OLU OBAFEMI’S NAIRA HAS NO GENDER
4198. A DISCOURSE ANALYSIS OF JESUS’ CONVERSATION WITH THE SAMARITAN WOMAN
4199. A DISCOURSE ANALYSIS OF NAIRA HAS NO GENDER BY OLU OBAFEMI
4200. A CRITICAL DISCOURSE ANALYSIS OF EDITORIAL CARTOONS, SELECTED FROM THE GUARDIAN NEWSPAPER

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